Rokoko names one production its suits actually captured

The persona

Rokoko is a Danish company that sells wearable, camera-free motion-capture hardware, most prominently the Smartsuit Pro, marketed to lower-budget virtual-character productions as an alternative to optical mocap studios. Rokoko itself does not operate any persona; it licenses hardware and software that independent studios and creators use to animate their own characters.

What the documents establish

Rokoko's own Smartsuit Pro II product page, retrieved 16 September 2026, describes the suit as using '9 degrees of freedom IMU sensors connected to a hub' with a stated '3D orientation accuracy: ± 1 deg,' requiring 'no external cameras, markers, or studio modifications.' The same page states Rokoko is 'trusted by Disney, Netflix, EA and more than 25,000 indie creators worldwide,' a company-reported client claim rather than an independently audited figure. Rokoko's own case-study page for Trizz Studio names a specific production: a commercial for the paint brand Dulux, made by the Barcelona studio Trizz, in which 'three professional dancers in Smartsuit Pro suits' were captured alongside a 'virtual production kit' controlling a virtual camera and digital avatars.

Character versus company

The digital avatars in the Trizz-Dulux commercial are characters built and directed by Trizz for a paid commercial brief, not autonomous personas with their own public accounts; Rokoko's role, by its own account, was supplying the capture hardware and virtual-production tooling Trizz used to realize a director's brief for a client. Rokoko's page frames the studio's creative choices ('an absolutely beautiful, captivating, and vibrant piece of visual art') as praise for its client, which is a marketing framing rather than an independent review.

What to watch

Rokoko's own comparison text on its product page states the Smartsuit Pro II trades some precision against optical systems for portability and price, noting that 'for studios needing sub-millimeter precision, optical systems remain the gold standard.' Any production credited to Rokoko hardware should be read with that stated trade-off in mind rather than assumed to match optical-mocap fidelity.

• Does the Trizz-Dulux commercial or any other Rokoko case study name the specific virtual character or persona built from the captured performance?
• How does Rokoko's stated sensor accuracy compare with the specifications optical systems publish for the same class of production?
• Which named productions Rokoko lists as clients (Disney, Netflix, EA) have themselves confirmed, in their own materials, using Rokoko hardware for virtual-character work?

Rokoko's documentation is specific about one named production, Trizz's Dulux commercial, while its broader client list remains a company-stated claim that a reader would need separate confirmation from Disney, Netflix or EA to treat as more than Rokoko's own account.